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The early 2000s have seen a string of big-budget remakes of classic horror films. In addition to THE TEXAS CHAINSAW MASSACRE and THE HILLS HAVE EYES, John Carpenter's benchmark slasher flick HALLOWEEN has been given a new-millennial overhaul. At the helm of the project sits rocker Rob Zombie, whose previous films, HOUSE OF 1,000 CORPSES and THE DEVIL'S REJECTS, brought a fan's touch and an auteur's vision to the director's chair. While Zombie's HALLOWEEN is faithful to Carpenter's vision, there are some obvious changes, the most pronounced of these being the substantial focus on Michael Myers's childhood. The film posits Michael (played by a creepily vacant Daeg Faerch) as a troubled child made all the worse by a horrible home life--wonderfully illustrated via William Forsythe's performance as Deborah Myers's boyfriend--and constant abuse at school. Zombie paints Michael's pain with palpable grit and sleaze, but he isn't out to put our culture on the couch--he simply wants to show Michael killing his family. With the exception of Michael's therapy sessions while incarcerated, the film, post-massacre, stays loyal to the original.

Zombie's film is clearly the work of a filmmaker who knows and loves the genre. The director's signature is stamped all over HALLOWEEN (most notably in the use of grainy home movie footage and a smokin' classic rock soundtrack), although remnants of Carpenter's brilliant original still remain. When it comes to remakes, it's hard to ask for much more. (1 hr. 49 min.)

In THE HAPPENING, M. Night Shyamalan serves up over-the-top, apocalyptic strangeness. The film opens onto New York City's Central Park with a crowd of people enjoying an idyllic summer day. The carefree scene soon takes a terrifying turn, when out of nowhere, hordes of people begin to commit suicide en masse. People scramble to make sense of the pandemonium, and many believe it is a terrorist attack. It appears that some sort of deadly toxin is being released into the air. Cut to Elliot (Mark Wahlberg) a science teacher in Philadelphia. When he learns of the attack on New York, he meets up with his wife Alma (Zooey Deschanel), his friend Julian (John Leguizamo), and Julians's daughter, Jess (Ashlyn Sanchez). They make plans to get out of the city via train, but the train is evacuated in the middle of a small Pennsylvania town. When they learn that the mysterious toxin is spreading its way across the Northeast, they break up into groups, with Elliot, Alma, and Jess running through open farmland in search of safety. They are unsure of where to hide, or what exactly they are hiding from, until Elliot slowly forms a theory about the threat. He fights to keep Alma and Jess free from harm, and the film builds to a bizarre, unsettling climax, with Shyamalan's usual surprise ending.

Shyamalan's premise of escaping an unknown, unexplainable attack is a timely one, and is quite chilling in concept. However, while he at times appears to be groping for the frenzied scariness of THE BIRDS, THE HAPPENING's outlandish death scenes and implausible plot line often veer closer to B-movie classics. The film doesn't match the clever creepiness of THE SIXTH SENSE, but for fans of campy horror à la THE EVIL DEAD, it is truly something to behold. (1 hr. 29 min.)

Dennis Dugan (BIG DADDY, HAPPY GILMORE) directs this comedy co-written by Adam Sandler, Judd Apatow, and Robert Smigel. Disco- and hummus-loving Zohan (Sandler) is the Israeli army's best weapon. He can single-handedly take out terrorists and swim like a dolphin, and still find time to charm the ladies. But this lethal weapon is tired of fighting Palestinian terrorists like the Phantom (John Turturro). He has bigger dreams: he wants to cut and style hair. Unfortunately, once Zohan arrives in New York City with a new look straight out of the 1980s and an assumed identity after faking his own death, his lack of experience gets him laughed out of salon after salon. Finally, Dalia (Emmanuelle Chriqui), a Palestinian salon owner, gives him a shot, and the older patrons love him. But just as Zohan is hitting his stride, Salim, a Palestinian New York City cabbie (Rob Schneider) recognizes him, and suddenly the Zohan's dream is in jeopardy.

To confuse matters more, there is a Trump-like developer (Michael Buffer) who is trying to clear out the Manhattan neighborhood where Israelis and Palestinians peacefully coexist in order to build a mall. A bulked-up Sandler is amusing as Zohan, and this is Schneider's best performance in years. Despite the extreme stereotyping, there is an underlying message about the futility of war and fact that people really are, after all, just people. The film is peppered with brief appearances from a menagerie of celebrities, including Chris Rock, Dave Matthews, Charlotte Rae, Kevin James, John McEnroe, Mariah Carey, George Takei, and Bruce Vilanch. Lainie Kazan and Nick Swardson also star in this film as a mother and son who befriend the new immigrant. (1 hr. 53 min.)