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Binding: Audio CD
EAN: 0724356777620
Label: EMI Classics
Manufacturer: EMI Classics
Number Of Discs: 2
Publisher: EMI Classics
Release Date: March 11, 2002
Studio: EMI Classics

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Disc 1:

1. Act One, Scene One: Akh, Nye Spitsa Bo'she, Poprobuyu - Galina Vishnevskaya
2. Act One, Scene One: V Dyevkakh Luchshe Bylo - Galina Vishnevskaya
3. Act One, Scene One: Gribki Sevodnya Budut? - Galina Vishnevskaya
4. Act One, Scene One: Prigotov Otravu Dlya Krys - Galina Vishnevskaya
5. Act One, Scene One: Gavori!... Plotinu-to Na - Leslie Fyson
6. Act One, Scene One: Proshchay, Katerina - WErner Krenn
7. Act One, Scene One: Chevo Vstal? Chevo Ostanovilsa? - Dimiter Petkov
8. Act One, Scene One: Interlude - London Philharmonic Orchestra
9. Act One, Scene Two: Ay! Ay! Ay! - John McCarthy
10. Act One, Scene Two: Barynya!... Ay!... Shto S Toboyu? - Robert Tear
11. Act One, Scene Two: A Nu-s, Pozvol'te Ruku-s - Robert Tear
12. Act One, Scene Two: Interlude - London Philharmonic Orchestra
13. Act One, Scene Two: Spat' Pora. Dyen Proshol - Galina Vishnevskaya
14. Act One, Scene Two: Zherebyonok K Kobylke Toropitsa - Galina Vishnevskaya
15. Act One, Scene Two: Kto Eto, Kto, Kto Stuchit? - Nicolai Gedda
16. Act One, Scene Two: Ya Poydu... Proshchay - Nicolai Gedda
17. Act Two, Scene Four: Shto Znachit Starost' - Dimiter Petkov
18. Act Two, Scene Four: Pod Oknami U Chzuhikh - Dimiter Petkov
19. Act Two, Scene Four: Proshchay, Katya, Proshchay! - John McCarthy
20. Act Two, Scene Four: Ustal... Prikazhete Mnye Postegat'? - Galina Vishnevskaya
21. Act Two, Scene Four: V Kladovuyu Sergeya Zaperli - Galina Vishnevskaya
22. Act Two, Scene Four: Vidno, Skoro Uzh Zarya - John McCarthy
23. Act Two, Scene Four: Batya, Ispovyedatsa - Dimiter Petkov
24. Act Two, Scene Four: Akh, Boris Timofeyevich - Galina Vishnevskaya
25. Act Two, Scene Four: Interlude - London Philharmonic Orchestra

Disc 2:

1. Act Two, Scene Five: Sergey, Seryozha! - Nicolai Gedda
2. Act Two, Scene Five: Katya, Prikhodit Konyets Lyubvi Nashey - Nicolai Gedda
3. Act Two, Scene Five: Nye Pechal'Sa, Sergey - Nicolai Gedda
4. Act Two, Scene Five: Opyat Usnul - Galina Vishnevskaya
5. Act Two, Scene Five: Nu? Chevo Tebye? - Nicolai Gedda
6. Act Two, Scene Five: Slushay, Sergey, Sergey! - Nicolai Gedda
7. Act Two, Scene Five: Katerina!... Ko Tam? - WErner Krenn
8. Act Two, Scene Five: Tepyer Shabash - Nicolai Gedda
9. Act Three, Scene Six: Shto Ty Tut Shoish? - Nicolai Gedda
10. Act Three, Scene Six: U Menya Byla Kuma - Robert Tear
11. Act Three, Scene Six: Interlude - London Philharmonic Orchestra
12. Act Three, Scene Seven: Sozdan Politseysky Byl Vo Vremya Ono - Leslie Fyson
13. Act Three, Scene Seven: U Izmaylovoy Seychas Pir Goroy - Martyn Hill
14. Act Three, Scene Seven: Vashe Blagorodie!... Chevo Tebye? - Leslie Fyson
15. Act Three, Scene Seven: Interlude - London Philharmonic Orchestra
16. Act Three: Scene Eight: Slava Suprugam - John McCarthy
17. Act Three: Scene Eight: Shto Takoe?... Zamok Sorvan - John McCarthy
18. Act Three: Scene Eight: Shto Takoe? Pozdno! - Leslie Fyson
19. Act Three, Scene Nine: Vyorsty Odna Za Grugoy - John McCarthy
20. Act Three, Scene Nine: Stepanych! Propusti Menya - Nicolai Gedda
21. Act Three, Scene Nine: Nye Lekhko Posle Pochota Da Poklonov - Galina Vishnevskaya
22. Act Three, Scene Nine: Moyo Pochtyenye! - Birgit Finnila
23. Act Three, Scene Nine: Ladno Dostanu! - Nicolai Gedda
24. Act Three, Scene Nine: Na Chulki! Idyom, Tepyer Ty Moya! - John McCarthy
25. Act Three, Scene Nine: V Lesu, V Samoy Chasche Yest' Ozero - Galina Vishnevskaya
26. Act Three, Scene Nine: Znaesh Li, Sonyetka - Birgit Finnila
27. Act Three, Scene Nine: Vstavay! Po Mestam! Zhivo - Leslie Fyson
28. Act Three, Scene Nine: Akh!... Bozhe Moy! Shto Takoe? - Leslie Fyson

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Rating: - Definitive recording of DS's operatic masterpiece
I used to be a little scared of Lady Macbeth on record: it bursts out of the speakers with ferocious abandon. It was mainly thanks to Covent Garden's darkly comic production that I learned to truly love and embrace the music, even at its most seam-bursting moments. There's no denying that the experience of moving from low comedy to appalling tragedy, from dark intensity to carnivalesque uproar, within the space of one scene, is guaranteed to unnerve and destabilise the listener. But Shostakovich's ... Read More

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